"Sit and Wonder" is what they meant by their 1993 album title A Storm in Heaven: the trancelike gallop of bassist Simon Jones and drummer Peter Salisbury; guitarist Nick McCabe's creamy distortion and ascending rings of tremolo and feedback; singer Richard Ashcroft's drawling incantation, like Liam Gallagher in Lizard King leather.
The songs skirt standard verse-chorus form; the best of them are just chord patterns that swirl and mutate with slow assurance. In "Judas," McCabe fires bird-cry bursts of twang and threads long, humming lines through Ashcroft's R&B whoops. "Love Is Noise" is smart acid-dance candy notched with a laughing-choir vocal hook. But "Appalachian Springs" gives the best afterglow. Built on the ballad-prayer model of "The Drugs Don't Work" (on 1997's Urban Hymns) and coated in McCabe's melting guitars and Ashcroft's higher-than-you bleating, it is Forth's final track — and most complete trip.
Source: Rolling Stone, David Fricke