28 December 2011

The Black Ships website officially offline

As per the band update below:
...our website is unfortunately gone... price of DIY I suppose. Anyways, the good news is that we'll come up with a new and better one in the new year... promise! We are working on the music these days, mostly from a distance, although Nick, Dav and Si have seen each other in separate musical meetings, which were very fruitful indeed. About 20 or more songs on the horizon... Will keep you posted of course, we are still figuring out what to do, it's the weirdest time in music biz ever and we have to come up with something which would be sad if it was left to itself... maybe it will be anyways, but at least it will be done properly.
The Kurofune EP, released May 2011, can still be heard here.

Brian Cannon interview

 As Britpop shined its bright light in the 90's and England hit a cultural Renaissance through music, film and politics, no one came to capture the moments like Brian Cannon. Cannon, who photographed iconic album covers and sleeves for The Verve, Oasis, Groove Armada, Ash, Inspirational Carpets and many others, became the man with the "eye" for Britpop. His unique style of photography was like capturing the feeling of what it is like to be enhanced by heavy drugs and a state of euphoria.

This past year, Cannon had his work displayed at the British Music Experience at the O2 in London and was given the Lifetime Achievement Award at the Global Annual Design Awards this past November. Aside from his massive success as a music photographer, Cannon is also the owner of Microdot, a graphic design company that celebrated its 21 years in the business this past year.

We spoke with Cannon about his work and accolades, who he would still love to work with, and what he considers his favorite work. We also discussed his favorite music and seeing if there is any hope that Oasis or The Verve would ever reunite again...

Your iconic work will be featured as part of the British Music Experience at the O2, how excited and proud are you to have your work displayed?

I am honoured and flattered to have my work displayed alongside some of the all time greats, it really is a wonderful feeling to think people are interested in my creations.

02 December 2011

Long player: Accomplished album reflects trials of Verve

It's tough being in a rock band, especially a successful one, particularly if it's an all-male line-up. You see, men don't communicate as freely and honestly as might be good for their collective health. They generally prefer just to walk the walk, drink the drink and the drop the drugs.

But the drugs don't work. Neither does sweeping your various dysfunctions under the carpet in the hope that the music will mask the effects.

In the end, that's why the Verve could only manage one shining moment before imploding, re-forming and imploding once more.

Urban Hymns (1997) was very nearly not a Verve album at all. Having split up the band following the lukewarm reception to second album A Northern Soul (1995), vocalist Richard Ashcroft freed himself of the simmering tension with guitarist Nick McCabe and had begun work on a new project with bassist Simon Jones and drummer Peter Salisbury.

But he soon called McCabe back into the fold to work alongside new guitarist Simon Tong, unable to deny his addiction to the elements of the band's music that had convinced him something great was possible.

Lead single Bitter Sweet Symphony went gangbusters, reaching second spot on the UK singles chart and No 12 in the US. Follow-up The Drugs Don't Work went one better in the UK, providing the Verve with its sole career chart-topper and launched the band into a hectic schedule of US and European tours. One broken hand and bruised jaw later, Ashcroft and McCabe had once more parted company.

On-again off-again reunions have followed but the band is effectively dead.

What remains is an album that speaks more eloquently of all manner of personal trials and triumphs than anything else Ashcroft has produced.

From mesmeric psychedelic excursions to luscious, string-heavy ballads to hard-out rockers, Urban Hymns remains one of the most accomplished Britrock albums.