18 April 2017

Richard Ashcroft claims he feels shunned by England and more respected in Scotland during Glasgow gig

Photo: Wattie Cheung

The ex-Verve frontman wowed the SSE Hydro tonight after venting his frustrations about how he's viewed back home

Rock star Richard Ashcroft revealed he feels shunned by England – and more respected up in Scotland.

The ex-Verve frontman wowed Glasgow’s SSE Hydro tonight.

And vented his frustrations about how he’s viewed back home.

Richard – who’s from Wigan – admitted: “It’s a strange feeling for an Englishman to be loved more in Glasgow and Buenos Aires, than in England.

“I was catching pints at the Barrowlands twenty f***ing years ago.”

The singer, 45, revelled in rocking the giant arena, playing full versions of every track with big endings.

He said: “I think we should take over these places more often.”

Kicking off with "Hold On" – Richard mixed up the set with solo stuff like "Break the Night With Colour" and "Out Of My Body."

Plus he also cranked out Verve classics "Sonnet," "Lucky Man" and "Velvet Morning."

And left smash hit "Bitter Sweet Symphony" to the end – as well as urging fans to get on Instagram.

He added: “I know a lot of you think it’s s***.

“But join me on there, I like to see what you’re up to.

“I have got a lot of creative fans and it brings us all together.”

17 April 2017

The Verve's Richard Ashcroft talks ahead of Birmingham gig

Richard Ashcroft at V Festival, 2008

He remains one of Britain's greatest rock'n'roll stars. Call him what you will – Richard Ashcroft, the shaman, Mad Richard – he was the guy who wasn't supposed to survive Britpop.

Too many drugs, too much hard living, a ceaseless observance of wild times, the Hedonist In Chief could have checked out long ago.

"I feel lucky I got out alive," he says. "People wanted me to become this clichéd Keith Richards, Iggy Pop character. I wasn't expected to marry a beautiful wife and have kids."

And yet that's precisely what he did. After forming The Verve with guitarist Nick McCabe, bassist Simon Jones and drummer Peter Salisbury, he created the megalithic Urban Hymns. It spawned "The Drugs Don't Work," "Bitter Sweet Symphony" and "Lucky Man" as it won a BRIT Award and sold more than 10 million copies, becoming the 18th best-selling album in UK chart history.

The band crashed and burned. There were fall-outs and bust-ups, breakdowns and dust-ups. And Richard, described by Coldplay's Chris Martin as being 'the best singer in the world', went his own way.

His debut solo album, Alone with Everybody, was a number one while his next two albums achieved gold and platinum discs. And while the underwhelming 2010 album United Nations of Sound stalled, he roared back in May last year with a fifth album, the storming These People. It matched the bombast of his best work, mixing soulful balladeering with epic rock tunes.

He has no regrets about taking such a long time out. He lost two close friends, his guitar tech, Rex, and manager, Jazz Summers, and felt no need to put out a record while they were dying. The passage of time, however, led him back to the studio and Richard will bring These People, songs from his solo albums and classic Verve tracks to Birmingham next week. He's on the road with four arena dates, including the Barclaycard Arena on Thursday. It's time to celebrate, to tap into the joyousness of live music.

Richard's proud of These People. It was no small achievement to return to former glories after so long away. After all, he has had a longer climb back up the mountain than most. "In a way, I've made records in an old school sense where I write album for other people. There's a unifying soul to it, a unifying line."

These People kicked off with "Out Of My Body," a plush, electro-pop groover that fused disco and house and talked about being out of it, without actually doing it.

"I started that tune before Daft Punk did Get Lucky with Pharrell. I was working on that quite a while back, then Daft Punk did that sort of house-Chic thing. I remember thinking 'I've already done that'. I was working with this French electro guy and he sent me the Johnny Cash bit."

Richard was keen to break down preconceptions and do something new. He wanted to challenge people expecting a solo version of Urban Hymns. And he succeeded.